The Inscrutable Life and Death of Marilyn Monroe

Was This the Most Dangerous Film in American History?

Aurora and Batman

Pleading Insanity: Why Robert Blake Now Acts Crazy For a Living

Lights, Camera, Fire

When Did Oliver Stone Lose His Spark of Big Ambition?

What Do We Know About Paul Thomas Anderson’s New Scientology Film?

The Last of Girls?

David Thomson on Films: The Inane Pomposity of 'Prometheus'

David Thomson on Films: The Stunted Adulthood of Wes Anderson

Thomson: The Futile Necessity of Revisiting an Old Love Affair

David Thomson on Films: ‘Girls’ is Great, But What Will Lena Dunham Do Next?

Stanley Kauffmann on Films: Facts and Fantasies

Crude Comedy, Sound Politics: What ‘The Dictator’ Gets Right

David Thomson on Films: How Johnny Depp and Tim Burton Became Shadows of Their Former Selves

David Thomson on Films: Happy Birthday to an American Icon We No Longer Deserve

Stanley Kauffmann on Films: French Accents

David Thomson on Films: The Flirtatious Game-Playing of Classic Hollywood Romances

David Thomson on Films: How ‘The Godfather’ Was Diminished By Its State-of-the-Art Restoration

Stanley Kauffmann on Films: Devotions